Jennifer Taylor: Examples of work that relate to my proposal for the transmission pod at Chapter.

STARGATE, Commission for Green Man Festival, Wales, 2019. The structure of this piece is still in storage and could potentially be re-installed outside the front of Chapter to create the structural shell of my proposed transmission station. 

STARGATE, Commission for Green Man Festival, Wales, 2019. (Detail showing the mirrored interior, as seen through the transparent, perspex front side). 

STARGATE, Commission for Green Man Festival, Wales, 2019. (This shows how the piece looked in daylight. The pyramid operated like a form of lunar clock, which started to glow as the sun set and darkness fell). 

Lunarium, Installation with live performance, Castro Projects Rome, 2019. (This was a vitrine-like installation which was viewed from this angle, through the large single-panel window. As seen here, I then performed inside, being watched by the audience through the glass. I would anticipate that the piece for Chapter could operate in a similar way). 

Terminal Beach, Installation for Hypermaremma, Tuscany, Italy 2019 (This piece was like an out-posted, make-shift camp, with the feeling of being at the edge of the world, which relates to the themes in my proposal).

Guardian of the Heart Machine, National Eisteddfod, The Senedd, Cardiff, 2018. (This was a durational performance where I stayed inside this sphere for a week, during gallery opening times. Here I am connected up to technology, as part of some form of absurd sci-fi download machine or surveillance link-up. This relates to the ideas in my proposal for the transmission pod). 

Mothership, Performance, g39 Cardiff, 2017. (This reflects the way I would intend to wrap myself in electrical wiring and connect my body to systems of technology in the transmission station, for the Chapter project). 

Lupercalia, Live Performance, British School at Rome, 2018. (This shows the temporary cave that I constructed at the front of the building, reflecting the form of geo-dome structure I might build to make the pod at Chapter). 

Lupercalia cave stage-set, , British School at Rome, 2018. (This shows the temporary cave that I constructed at the front of the building, reflecting the form of geo-dome structure I might build to make the pod at Chapter).

Vigil, Live Performance, Culture Colony Intervention, Machynlleth, Wales 2019. (Example of a more make-shift pyramid, showing how a simpler structure could also be made for the transmission station at Chapter). 

Live street performance, collaborating with a skateboarder, outside A Gentil Carioca Gallery, Rio de Janeiro, Brazil, 2016. (This shows the sort of ways, I might explore street performance and connecting with different communities, as discussed in my statement).

Live street performance, collaborating with a skateboarder, outside A Gentil Carioca Gallery, Rio de Janeiro, Brazil, 2016. (This shows the sort of ways, I might explore street performance and connecting with different communities, as discussed in my statement).

Live street performance, collaborating with a skateboarder, outside A Gentil Carioca Gallery, Rio de Janeiro, Brazil, 2016. (This shows the sort of ways, I might explore street performance and connecting with different communities, as discussed in my statement).